Polski puls Australii – najnowsze informacje, wydarzenia i życie Polonii
„Lecz nade wszystko – słowom naszym, zmienionym chytrze przez krętaczy, jedyność przywróć i prawdziwość:
niech prawo zawsze prawo znaczy, a sprawiedliwość – sprawiedliwość".
Miranda JULY. American born 1974. The amateurist 1998 (still) colour, sound, 14 min. Private collection. Image copyright of the artist, courtesy of Video Data Bank, www.vdb.orgTelevision has had an undeniable impact on contemporary culture through televised historical moments such as the Vietnam War and 9/11 through to the rise of the Internet. An exhibition devoted to TV and the transmission of information opens on 15 May at NGV International. Transmission: Legacies of the Television Agefeatures artist responses to television, sets and screens and visual broadcasting through videos, prints, photographs, fashion garments, sculpture and collage. Several artists also look beyond television to newer technologies. On Saturday 16 May, 11am, visit the exhibition for an introductory floor talk about the exhibition from NGV curator Maggie Finch.
Propaganda posters were one of the vital forms of communication during both World Wars, and continue to be used today. Designed to be as eye-catching as possible, posters were pasted up on walls, trains and offices and made a huge impact through their powerful and often memorable designs and rousing language, calling on mateship and patriotism to save the Australian way of life. NGV curator Alisa Bunbury will speak about the propaganda posters on show at Follow The Flagin a floor talk about the persuasion of war posters on Sunday 17 May, 2pm in the NGV Australia exhibition space.
On Sunday 17 May, 2.45pm in the NGV Australia exhibition space NGV curator Elena Taylor will focus on the work of Australian artist Grace Cossington Smith who expressed her patriotism and her belief in civic duty through her magnificent war works.Cossington-Smith’s 1915 painting The Sock Knitter is one of the highlights of the Follow the Flag exhibition, along with three other paintings by Cossington-Smith. The subject of the painting is Cossington-Smith’s sister Madge, knitting socks for soldiers in World War I, and is a fine counterpoint to the usual narratives of masculine heroism in wartime.